Responsive is more than just too dependent software with a flat canvas.
You are drawing in the three D. Space.
We have four options to play the strokes in the three D. Space
Origin. three. The cursor
surface
and stroke.
Let's move outside the camera view. Go to the overlays panel and turn on the X. And Y.
Axis for the grid
and the campus for the grease pencil object
origin will place your strokes in the three D. Space at options. Origin.
The orange dot in the object
with the default settings. Your stock will be locked to the front local axis plane.
But you can change the drawing plane to side
top
of you to draw your strokes with the orientation of the current view
with three D. Cart. Sir, the placement of your strokes will be at the three D.
Carter, position
struck placement. Stick the lines to other structures. Points
Surface, sticks the strokes to the three d. options.
You can change the distance between the strokes
and the surface with the opposite parameter.
To build an insanely out for our cowboy animation.
I will offend some of the options we have been working on on this tutorial series,
The Sheriff character animation.
A basic three D measure of a building
and the characters
to start with a scene. Let's place the different elements and the camera
looking through the camera and activate lock camera to view
is a handy way to position in the camera.
Multiple three D measures and grease pencil
objects can be combined to biliary scene
like this plane. Use it photograph.
I use a grease pencil object to draw some lines on the ground.
In this stage, I'm just making sketches in the three D.
Space to get the right position and size for the drawings.
I keep adding more grease pencil, opted for the background,
some mountain for the back,
some of the mountains closer to the camera
and some clouds.
Finally, I like to let the building to work more easily
at another grease pencil opted
and select surface as a strokes placement to draw over the building.
Once we are happy with our rough layout, we can continue making the final drawings
now to keep working on the same background.
I'll turn on the render shading and that some materials and light for our three D.
upsets.
By the time being, Grease pencil is not fully integrated with the E. V. Engine
so we have to cheat our light color and shadows to feed the scene light conditions.